Showing posts with label Ariel Pink's Haunted Graffiti. Show all posts
Showing posts with label Ariel Pink's Haunted Graffiti. Show all posts

Wednesday, December 22, 2010

2010: The 20 Best Albums I Heard

As I alluded to yesterday, I hesitate to create a list that is lacking what I hope to be one of my favorite albums, Ryan Adams' III/IV.  But of the 70+ albums I bought, these are the best albums I heard that were released in 2010.

Honorable Mentions:
Mountain Man - Made the Harbor
MGMT - Congratulations
The Walkmen - Lisbon
Warpaint - The Fool
The Acorn - No Ghost

The Top 20:

20.  Suckers - Wild Smile

This one took me a while, but if you can take the weirdness and the occasional falsetto, it's well worth your time.


19.  Kanye West - My Beautiful Dark Twisted Fantasy

Everyone else's #1, I thought there were a number of great songs, some good ones, and one that ended with 3-4 minutes of Chris Rock standup. 


18.  Sufjan Stevens - The Age of Adz

I'm still torn on whether I love or just want to be friends with this album.  I kind of liked sweet, quiet Sufjan more than neon-electro Sufjan.


17.  The Love Language - Libraries

My favorite NC band of the moment, I have a feeling these guys will be a lot bigger when album #3 is released.


16.  The Black Keys - Brothers

One of the most consistently great bands delivers another consistently great LP.


15.  Arcade Fire - The Suburbs

I'm still partial to Funeral, but years from now I wonder how this LP will compare.


14.  Belle & Sebastian - Write About Love

Six years of waiting for this LP was pretty much worth it - not as eclectic as The Life Pursuit, but still a great record.


13.  Broken Social Scene - Forgiveness Rock Record

Broken Social Scene probably delivers fewer hooks than any band, but the more I listen to this LP, the more I like it...even with a song titled "Texico Bitches."


12.  Jenny & Johnny - I'm Having Fun Now

After Johnny's work on Jenny's Acid Tongue, I had a feeling this record would be good.  These two just sound great together.


11.  Janelle Monae - The ArchAndroid

Obviously one perfect single, and the album was as good a "concept album" as I've heard in a while.


The top 10 after the jump...

Tuesday, December 21, 2010

2010: The 30 Best Songs I Heard

I hate doing these lists before the end of the year because I haven't fully absorbed everything I've listened to nor heard everything I want to hear - most notably, the new Ryan Adams LP is sitting in the post office waiting for my return to LA.  But 'tis the season of lists, and I felt like one putting one together despite my convictions.  These are the thirty best songs I heard that were released in 2010, most of which I blogged about already - just click the link to read the original post.

30.  CocoRosie - Lemonade


29.  Broken Social Scene - Texico Bitches

Probably the worst song title on this list, I'll be damned if the chorus of "I wanna be fair" doesn't have me singing along every time.


28.  Best Coast - Boyfriend


27.  Suckers - King of Snakes


26.  Tame Impala - Desire Be Desire Go


25.  of Montreal - Coquet Coquette

I found False Priest to be a bit of a disappointment, but this first single from the LP was perfect.


24.  Hot Chip - Hand Me Down Your Love

Hot Chip is incapable of releasing an album without a few great singles - this was my favorite from One Life Stand.


23.  Chief - Your Direction



22.  Joanna Newsom - Easy

Have One on Me had me from this opening track, showcasing Newsom's voice evolving, with a little less squeak and a lot more Joni Mitchell.


21. The Acorn - Restoration

Another excellent track from a vastly underrated band, fans of Fleet Foxes and Grizzly Bear should dig this.


The top 20 after the jump...

Thursday, June 10, 2010

Song of the Day: Ariel Pink's Haunted Graffiti - Bright Lit Blue Skies

I listened to some earlier Ariel Pink based on Pitchfork's recommendation and the ties to Animal Collective, and I kind of remember hating it. So when I saw all the blog hype the new record, Before Today, was getting (including a 9.0 from Pfork), I kind of wanted to hate it. But goddammit, it's pretty f'ing good.

Most of all, it's all over the damn place - one song sounds like an early '60s British Invasion song, another like some Ween R&B jam, and plenty of '80s synths throughout.  But I'll be damned if I didn't want to listen to the whole thing again.